A Tale of Springtime
– Simple conversations engender complicated human interactions. The first in Eric Rohmer's Four Season..
Simple conversations engender complicated human interactions. The first in Eric Rohmer's Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter's already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel's attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no 'proper' way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
04 Apr 1990
French
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Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy flat; she's loaned hers to a cousin, so she accepts the invitation of Natasha, a music student whom she meets at a party, to sleep in her father Igor's bedroom because he's always with his young girlfriend, Eve. Natasha tells Jeanne a story of a missing necklace and her suspicions of Eve. They all meet at dinner, then again at Igor's country house. Is Natasha scheming to get Igor and Jeanne together alone? Once alone, what determines how they choose to act? And the necklace, what of it?