The Countess of Baton Rouge
– In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows th..
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.
20 Feb 1998
French
André Forcier
André Forcier
Robin Aubert, Geneviève Brouillette, Isabel Richer, David Boutin
Montreal film-maker Rex Prince travels to Louisiana to search for his first love Paula Paul, the Countess of the title: the loveliest bearded lady ever to grace a circus sideshow. To win her love he takes on the job of Human Cannonball; wins her and loses her tragically, then tries to commit their love story to film. An exploration of self-image and memory, and the glamour (used in the sense of a magic spell or illusory reality) which the movie camera can weave.
10 nominations.